storytelling

storytelling is more than structure—it’s control of tension, pacing, and perspective. These posts explore how stories are shaped, where voice, timing, and restraint determine what is revealed, what is withheld, and how meaning settles long after the final line.

The Shrinking Word Count of the Modern Novel

In the golden age of literature—think early 20th century—novels often exceeded 100,000 words, sometimes soaring well past 150,000. Authors like Tolstoy, Dickens, and Hugo wrote sprawling epics that reflected the slower pace of life and an audience accustomed to long, detailed narratives. Back then, books were a primary form of entertainment, and readers were willing […]

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How To Avoid Writing Cardboard Characters Into Fiction

Writers need to know that their characters have to be accessible to readers, and easily relatable. Sure, make them fly and breathe fire if you must, but also show us their vulnerabilities. We want to believe they are more like us than we are prepared to admit. It makes us want to get to know them more because it reminds us of our own foibles.

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The Perfect Cold Case is Best

A perfect cold case originates from restraint, anonymity, and absence of emotional connection. It lacks a narrative, leading to forgetfulness over time. As public interest wanes, resources shift, leaving these cases unresolved, not due to justice, but because curiosity diminishes. The silence of a cold case offers safety and distance.

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Can Textese Language Make a Contemporary Book Popular?

The idea of writing an entire book in “texteese” is explored as a reflection of modern communication. It suggests that this informal language can connect with readers authentically if balanced well with engaging plots. While risky, it could succeed in genres like romcoms or teen dramas, highlighting language’s evolution in literature.

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Exploring Crime Through Fiction: Justice and Morality

Crime fiction offers more than mystery and suspense. It provides a safe place to examine justice, morality, guilt and consequence without real-world risk. Through fictional crimes and flawed characters, readers can explore difficult ethical questions, challenge their assumptions, and better understand the complexities of human behaviour and decision-making.

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Avoiding Topic Fixation in Storytelling

Fiction writers often risk topic fixation by prioritizing personal messages over engaging narratives. This fixation can alienate readers as it leads to heavy moralizing and diminished character development. A balanced approach is essential; otherwise, meaningful themes may resonate poorly or be lost, disappointing rather than inspiring the audience.

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