Behind every successful site is invisible work. Discover how internal linking, tag refinement, and removing dead links reshape SEO, strengthen structure, and connect the right readers to your content without changing what they see.
Broken Links and Aligning My Site for a More Intimate Browsing Experience Read More »
There are fair and good reasons why a book’s title matters to a book’s success. Choosing the right one may be the make or break for any book’s future. It all comes down to reader psychology.
Considering What A Book’s Title Should Be Before Publishing It Read More »
When writing dark fiction, the villain matters as much as the hero. Without a formidable antagonist, a hero has nothing meaningful to overcome. The strength of a protagonist is measured by the challenge they face. Instead of two opposing forces, imagine one person wrestling with both sides of the moral equation. Could a character pursue
Writing Tips: Villains, Heroes, and the Space Between Read More »
We all have our demons. Some of us are prepared to chase them to hell and back just to answer the questions only we can ask when writing. When I’m chasing mine, I never know if I’ll find evil or glory at the other end. I take a giant leap of faith and let myself
Let’s Find The Bottom Of Our Rabbit Holes Read More »
Writing fictional murder is dangerous not for the act, but for the shortcuts it can invite. “Low-hanging fruit” victims are a no-go zone. For many, it’s too much to bear. People often ask why writing about murder in fiction is dangerous. Not because of violence itself, but because of who the violence lands on. If
Permission to Harm Low Hanging Fruit in Fiction Read More »
SEETHINGS didn’t just test my ability to write—it dismantled me, rebuilt me, and demanded persistence long after quitting felt reasonable. Eight years, three books, and one obsession later, the story finally learned how to breathe. Now that SEETHINGS III is finally out in the world, there’s a strange stillness I didn’t expect. Relief, yes—but also
SEETHINGS Nearly Killed Me Read More »
Most authors are taught to chase exposure. More clicks. More downloads. More “eyes on the page.” And yet, the more widely a book is scattered—especially for free—the more likely it is to be misread, misunderstood, and misjudged. (I know. I can testify, your Honour.) Not because the writing is poor. But because the wrong reader
Writers Don’t Need More Readers. They Need Better Ones. Read More »
Characters from completed stories can linger in a writer’s memory, evolving from mere inventions to figures resembling real acquaintances. This persistent familiarity can lead to moments where fictional characters feel like past friends. Over years, rich details allow these characters to blend into memories, necessitating a responsible portrayal to maintain their integrity.
“I’m Living With Characters Who Never Existed,” Author Admits Read More »
Ask a dozen writers whether prologues belong in modern novels and you’ll get a dozen different answers—many of them loud and polarising. Some literary agents openly admit they skip them. They’ve seen too many slow world-building lectures, disconnected flashbacks, and “teaser scenes” that never quite earn their place. Writing forums are full of warnings telling
Prologues, Yay or Nay? Read More »
There’s a moment in every writer’s life when they face the impossible: the decision to end the life of a character who cannot defend themselves. The child. The frail. The broken. The innocent. They exist in our stories to evoke protection, empathy, and hope—and when we end their lives, something inside the reader dies too.
Is It Right To Kill Vulnerable Characters? Read More »