Fiction

Fiction allows reality to be reshaped—distorted, intensified, or stripped back to its essentials. These posts explore storytelling in its crafted form, where characters, conflict, and perspective combine to reveal truths that aren’t always accessible through fact alone.

Short Read – SEETHINGS III (ch4)

2 mins of the darkest fiction you’ll ever read. Chapter Four of SEETHINGS III shifts the tension from private marital conflict to a polished, glittering stage—a dinner party designed for psychological warfare. Sam and Mitchell arrive at Felicity and Hayden’s luxurious canal-estate home, already anxious for different reasons: Sam fears social embarrassment, while Mitchell anticipates […]

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Short Read – SEETHINGS III (ch2)

The darkest, most sinister novel you’ll ever read! Chapter Two of SEETHINGS III shifts dramatically from the covert horror of the opening chapter to a domestic minefield of lies, misdirection, and slow-building revelations. Told through phone conversations and private reflections, the chapter exposes the widening fracture between Samantha and her closest friend, Anneke. Sam offers

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Writers Must Fall Into Their Rabbit Holes. Completely. Utterly. Absolutely.

Authors know what I’m talking about. Experimenting with our stories exposes rabbit holes — for our characters, in our plots, our creativity, us. One character finds utopia while another goes to hell. Both are places few authors have visited, so both will require authors to take a leap into unknown worlds. Think of the sighted

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Stories About Photographers: Is ‘War Correspondent’ The Only Option?

Apply the word ‘photographer’ to writing fiction, and many listeners think of ‘war’ right away. If you’re over sixty, you’ll have more than a ninety per cent chance of thinking war correspondent. I say this because my first test readers assumed the same. They were surprised (or disappointed) to find out that my story had

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Between Glass and Keel – Ch12

Chapter 12 juxtaposes the public discovery of Sandra’s body with Mitchell’s cold detachment and the private escalation of his marriage with Samantha toward its darkest turn. The opening scene sets the contrast starkly: the news of Sandra’s corpse on Scarborough beach plays out as domestic background noise. Mitchell, unfazed, butters toast with Vegemite while Samantha

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The Glamorous Arrival – Ch11

This chapter represents a brutal climax in Sandra’s arc, blending seduction, spectacle, and violence in Mitchell’s meticulously orchestrated world. Sandra appears at the yacht club transformed, her red hair styled into glamorous waves, her outfit evoking a vintage pin-up star. This performance of confidence masks fragility, but Mitchell instantly seizes on it, directing the dynamics

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Seduction and Insecurity at a Luxurious Dinner Party – Ch4

Sam and Mitchell visit the opulent Snow residence, contrasting their modest lives with Felicity and Hayden’s extravagance. The evening reveals simmering marital tensions as Felicity’s allure captivates Mitchell, highlighting Sam’s insecurities. The chapter culminates with Felicity inviting Mitchell onto her yacht, hinting at betrayal and destabilizing their relationships.

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Pizza and Power Plays – Ch3

Mitchell and Sam prepare dinner while debating the value of consulting Dr Snow about their fertility. Their domestic tension exposes deeper cracks in their marriage. Later, Mitchell confides in Tony, revealing disturbing stories of sexual manipulation, necro-erotic encounters, and resentment toward Sam. The chapter intertwines banality with escalating psychological darkness. The chapter begins in the

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Secrets and Lies: The Contrast of Two Marriages – Ch2

Chapter 2 examines the contrast between two couples: the affectionate marriage of Anneke and David, and the strained relationship of Sam and Mitchell. Through dialogue, it reveals Sam’s deception about her asexuality and Mitchell’s fabricated infertility, highlighting the destructive effects of unspoken truths and the contrast between openness and silence in relationships.

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