Fiction

Fiction allows reality to be reshaped—distorted, intensified, or stripped back to its essentials. These posts explore storytelling in its crafted form, where characters, conflict, and perspective combine to reveal truths that aren’t always accessible through fact alone.

Instinct vs. Civility: The Thin Line That Breaks Us (or makes us)

We like to think of ourselves as civilised beings. We dress well, shake hands, drive cars in orderly lanes, and follow the rules that make society tick. But beneath the pressed shirts and polite smiles lies something older—instinct. It waits, crouched in the shadows of our minds, reminding us that civilisation is not a natural […]

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I Love Misery Literature

Pseudo-biographical abuse narratives have become popular of late. For some, there’s nothing more tantalising than digesting a real-life story about a victim who has suffered in the worst kinds of ways. Sexual, psychological and physical abuse, paedophilia, sadism and self-harm — are just a few of the topics covered in what’s been coined as misery

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The Silent Agreement

The content explores the intricacies of a silent agreement in a relationship, highlighting how unspoken pacts lead to avoidance and emotional distance. This fragile understanding allows both parties to coexist superficially while ignoring underlying issues. Ultimately, the silence becomes a burden, revealing the inevitability of confrontation when secrets can’t be contained.

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The Marriage as a Crime Scene

Every crime scene tells a story. That’s what I learned early on — not from any police procedural or forensic handbook, but from living inside one. No flashing lights, no yellow tape, no neat chalk outlines. Just the quiet aftermath of something unspoken, unseen, but deeply felt. Our home was the crime scene. Our marriage

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The Monster Inside Isn’t Hiding—You’re Just Not Looking Hard Enough

I’ve written before about the serial killer who lives among us—the one whose name isn’t whispered at barbecues or etched in red across newspaper headlines. They don’t carry a scar across their cheek or own a van full of knives. They don’t lurk in shadows or snarl when they speak. No, the kind I write

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No One Hears the Lost Lambs

She stepped into the slop with a squelch. It gripped her foot, sucked at it like some hungry thing, then swallowed her sandal whole. Cold ooze slipped between her toes and crawled up her arch as she yanked her foot free. The storm was close. The clouds had warned her with their grey-bellied swell, but

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When Villains Sound Like Lovers

You think villains shout. You think they slam doors and curse. You think they stomp around in boots, their shadows stretched across walls, their teeth bared, their fists clenched. You think they’re obvious. That you’ll know when evil enters a room. But the most dangerous villains don’t announce themselves. They whisper. And their voice sounds

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Let the Monsters Speak: In Defense of Dark Fiction

There’s a corner of the literary world that many shy away from — not because it lacks merit, but because it demands readers sit with discomfort, ambiguity, and darkness. Dark fiction does not concern itself with fairy-tale endings, moral clarity, or sanitised portrayals of life. Instead, it peers into the raw, shadowy aspects of humanity

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Avoid Repetition At All Costs

People crave randomness. Look at the Labubu craze—paying big money for something they haven’t seen, hoping it’s the rare one. It’s gambling dressed up as collecting. A thrill. A pulse. That moment of possibility. Love’s the same. Random glances on trains, chance collisions in cafés—those are the stories people hold onto. The unexpected makes it

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